# Tag

On Record

St. Vincent, Daddy’s Home.

St. Vincent, Daddy’s Home.

Stereodista ponders St. Vincent, her new LP, Daddy’s Home, and David Bowie.

Shame, Drunk Tank Pink

Shame, Drunk Tank Pink

With Shame's second album, let's begin to discuss U.K. Post-Punk. And what better place to start?

Her, Her

Her, Her

John explores the concept of immortality in French duo Her's debut

Future Islands, As Long As You Are

Future Islands, As Long As You Are

Otacon takes a peek at Future Islands' sixth studio effort

Dehd, Flowers of Devotion

Dehd, Flowers of Devotion

Easy C dives into Dehd's excellent new album, Flowers of Devotion

The Underrated, Incisive Beauty of Will Powers

The Underrated, Incisive Beauty of Will Powers

Once upon a time, in 1983, one of the most unique records of the 20th Century was released and largely passed by unnoticed. You need to listen to it

Sault, Untitled (Rise)

Sault, Untitled (Rise)

The enigmatic Easy C finally emerges from the ether to review pseudonymous group SAULT's latest release

The Chemical Brothers, Further

The Chemical Brothers, Further

John revisits one of The Chemical Brothers' most iconic and groundbreaking works

Braids, Shadow Offering

Braids, Shadow Offering

"For across some of Shadow Offering, hope doesn’t so much spring eternal as it does vernal..."

Shintaro Sakamoto, Let's Dance Raw

Shintaro Sakamoto, Let's Dance Raw

Otacon provides an introduction to Shintaro Sakamoto and his sophomore effort, Let's Dance Raw

Fiona Apple, Fetch The Bolt Cutters

Fiona Apple, Fetch The Bolt Cutters

Does the sensationalised album pass the Snobbery test?

Radiohead, OK Computer

Radiohead, OK Computer

John explores the parallelism between 2020's forced isolation and Radiohead's voluntary one for the recording of OK Computer

EOB, Earth

EOB, Earth

Stereodista goes beyond the obvious to consider Ed O'Brien's solo début

Tame Impala, The Slow Rush

Tame Impala, The Slow Rush

Given anticipation for new Tame Impala, Cuzomano, Easy C and a Disciple chose to offer differing perspectives on Kevin Parker’s latest effort.

Destroyer, Have We Met

Destroyer, Have We Met

Beijar is back, and this time he professes to be darker than ever… but is he really?